Selected Solo & Two Person Exhibitions
2022 |
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2020 |
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2017 |
- Jane Buyers, Art Toronto, solo booth
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2016 |
- Hang upon tomorrow and lose today, AKA artist-run, (with Zachari Logan) Saskatoon
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2015 |
- Gather...Arrange...Maintain, Museum London, London, Ontario
- Fold, Durham Art Gallery, Durham
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2014 |
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2010 |
- Amend, Paul Petro Contemporary Art, Toronto
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---|
2007 |
- Images for Words/Memory for Things, Stratford Gallery, Stratford
|
2006 |
- Into the Woods, with Mary Catherine Newcomb, Canadian Clay and Glass
Gallery, Waterloo
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|
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2005/06 |
- Inscriptions, Robert McLaughlin, Oshawa. Solo, curated exhibition,
with catalogue. Travelling to Koffler Gallery, Toronto; UW Art Gallery,
Waterloo.
|
2000 |
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1998 |
- Botanica Barocca, Justina M. Barnicke Gallery, Hart House,
University of Toronto, Toronto
|
1997 |
- The Pumphouse, Niagara-on-the-Lake, Ontario
- Folio, Paul Petro Contemporary Art, Toronto
- Iconoclasts (with David Mcgee), McIntosh Gallery.London,
Ontario
- Burlington Cultural Centre, Burlington, Ontario
|
1996 |
- Kitchener-Waterloo Art Gallery, Kitchener, Ontario (catalogue)
|
1994 |
- The Woodstock Art Gallery, Woodstock, Ontario
- Garnet Press Gallery, Toronto
|
1992 |
- Canadian Cultural Centre, Rome
- Garnet Press Gallery, Toronto
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Selected Group Exhibitions
2023 |
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2022 |
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2019/20 |
- Industrial Elements Air, Fire, Water, Earth, Art Gallery of Nova Scotia
|
2019 |
- The Perennials, Kitchener-Waterloo Art Gallery
|
2018 |
- Garden of Skin, Angus-Hughes Gallery, London UK
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2017 |
|
2016 |
- Red, Renann Isaacs Contemporary Art, Guelph
- Plexus, DNA, London
|
2012 |
- Editions Part Two, Paul Petro Contemporary Art, Toronto
- Toronto Berlin 1982-2012, Zweigstelle Berlin, Germany
|
2010 |
- Art at Work: Corporate Collecting Practices Today, Part 1, Art Gallery of Mississauga
|
2008 |
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2007/08 |
- Pictured: image and object in Canadian sculpture, Art Gallery of Nova Scotia, Halifax
|
2007 |
- Still Life, Harbinger Gallery, Waterloo.
|
2006 |
- Art Fiction . Art Mur, Montreal.
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|
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2005 |
- The Suitcase Show . Harbourfront, Toronto.
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- You Get What You Get. Akau, Toronto.
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2004 |
- Toronto International Art Fair, Paul Petro Contemporary Art, Toronto
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- Art and Paper VI. Galerie d’art Jean-Claude-Bergeron, Ottawa.
|
2003 |
- Genius Loci. Canadian Clay and Glass Gallery.
|
2002 |
- Reading Without Words: Books as Objects . Gallery Stratford.
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- Lonsdale Gallery, Toronto. Artists’ Books.
|
2001 |
- Herbarium . Art Gallery of Peterborough.
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Chronicles: The Great Canadian Printmaking Competion. Edward Day Gallery,
Toronto. |
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- Great Lakes. Harbourfront Centre, Toronto.
|
2000 |
- The Single Tree, London Regional Art Gallery (catalogue)
- Cote cour, cote jardin, Galerie Art Mur, Montreal
|
1999 |
- Ways to Remember,, Paul Petro Contemporary Art, Toronto
- TSA 30: Toronto School of Art 30th Anniversary Faculty Retrospective,
Harbourfront Centre, Toronto.
- Glendon Gallery, York University, Toronto. A Look Back
|
1998 |
|
1996 |
- Second Skin, Macdonald Stewart Art Centre, Guelph, Ontario
(catalogue)
|
1994 |
- X-Sightings, The Anderson Gallery, Buffalo, New York
|
1991 |
- International group show, Simon Watson Gallery, New York,
(national touring). Real Art Ways, Hartford, Connecticut; Hall Walls,
Buffalo, New York; New Langton Arts, San Francisco
- Cambridge Gallery, Cambridge, 3 person. Tom Thompson Memorial Gallery,
Owen Sound (provincial touring)
|
1990 |
- Memory Work: The Post Modern Impulse in Canadian Art, London
Regional Art Gallery, London (national touring)
- Garden Project, Power Plant, Toronto
|
1986 |
- The Interpretation of Architecture, Sandy Simpson Gallery,
Toronto (catalogue)
|
1984 |
- Something to do with Space, Art Gallery at Harbourfront,
Toronto (catalogue)
- The New City of Sculpture, YYZ, Toronto
|
1983 |
- Chromaliving, Chromazone, Toronto
|
1982 |
- O Kromazone, Das Institut Unzeit, Berlin
- Monumenta, YYZ, Toronto
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Selected Bibliography
2017 |
- Canadian Art, Spring 2017, Alexis Kinloch. “Hang upon Tomorrow and Lose Today”
|
2013 |
|
2010 |
|
2007 |
- Descant: Margins and Borders , vol 38, no2, Summer 2007. P
151
|
|
- 156. "Inscriptions" portfolio
|
|
- The Coast, Dec. 13-20,
2007. p. 49, Jane Kansas, "Objects
of affection"
|
2006 |
- The Globe and Mail, Saturday, Oct 7, p. R16. Gary Michael Dault. “Natural
Selection at Paul Petro Contemporary Art”.
|
|
- The Globe and Mail, Saturday, November 15, .P. R12. Gary Michael Dault.
“Black rose works make deep impression. “
|
|
- ESPACE: Sculpture, Vol 75, Spring. p. 41. Margaret Rodgers
|
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- Fusion, Winter 2006, Vol. 30 No.1. Front cover, p.14-15, 23. Gil McElroy
|
|
- Kitchener-Waterloo Record, Friday, February 24, 2006, p. D4. Robert
Reid.
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|
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- Le Devoir, 14-15 octobre, p.E3.. Rene Viau.
|
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- Mirror, 11 octobre, p. 56. Christine Redfern. "Fiction
Addiction"
|
2002 |
- La Nazione, Florence, Italy. "L’opulenze
che finanzia i restauri."
|
|
- Catalogue, The Single Tree. Text by Laura Millard, "The Single
Tree" exhibition, London Regional Art and Historical Museums, London,
Ontario.
|
2000 |
- Montreal Gazette, June 10, p. J2, Cultivating a garden of the
imagination: where nature and culture meet, Henry Lehmann
- The Record, Kitchener, July 14, p. B3 Ready for Harvest (photograph
with caption)
- The Record, Kitchener, July 22, p.E4, Sculpture commemorates
brewing industry, Donna Cooper.
|
1999 |
- Tessera: Coincidence of the Page, Volume 27. 58-59
- Globe and Mail, December 18, Gillian MacKay.
|
1997 |
- Kitchener-Waterloo Record, September 30, p.6. Robert Reid
- Globe and Mail, November 22, p.C16 A garden of artistic delight,
Gillian MacKay
- Guelph Mercury, October 1. P.A5
- Tessera: Work/Le Travail, Volume 22. P.68-70
- Second Skin: Looking at the Garden Again (catalogue), Anne
McPherson
|
1996 |
- The Kitchener-Waterloo Record, Robert Reid, July 2
- Kitchener-Waterloo Art Gallery, Folio (catalogue) Lynne
Bell and Carol Podedworny
- Globe and Mail , June 4, p.C3. John Bentley Mays
|
1995 |
- C Magazine, Spring 1995, p. 56, Carol Podedworny.
|
1992 |
- Globe and Mail, Kate Taylor, October 16th.
- Citta Nuova (Rome). June
- Catalogue, La Mèmoire postmoderne: Essai sur l'art contemporain,
Mark Cheetham, postface de Linda Hutcheon.
|
1991 |
- Catalogue. Remembering Post Modernism: Trends in Recent Canadian
Art, Mark Cheetham with Linda Hutcheon. Oxford University Press.
|
1990 |
- C Magazine, Issue 26, Summer '90, J. Andreae.
|
1989 |
- Parachute, Spring/Summer, J. Andreae.
|
1986 |
- Catalogue The Interpretation of Architecture, Andy Patton.
|
1985 |
- C Magazine, Winter no. 4, Donald Kuspit.
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Visiting Artist
2006 |
- Public lecture in conjunction with Inscriptions solo exhibition, University
of Waterloo Art Gallery
|
2003 |
- Guest artist, Nova Scotia College of Art and Design, Halifax.
|
2001 |
- Canada Council Visiting Artist, Lakehead University, Thunder Bay.
|
1999 |
- Canada Council Visiting Artist, University of Saskatchewan. Saskatoon
and University of Regina.
|
1991 |
- Guest artist, Open Studio, Toronto.
|
|
- Art Gallery of Peterborough. Sponsored by Art Gallery of Ontario “Artists’
with Their Work Program”. Lectures and workshops on sculpture, in conjunction
with solo exhibition.
|
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- Tom Thompson Memorial Art Gallery, Owen Sound. Sponsored by Art Gallery
of Ontario “Artists’ with Their Work Program”. Lectures and workshops
on sculpture, in conjunction with solo exhibition.
|
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- Canada Council Visiting Artist, University of Windsor.
|
1990 |
- Guest artist, Colour Xerox project, Visual Arts Ontario.
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