Between the Devil and the Deep Blue Sea

Natalie Wood

new work
October 11 - November 9, 2024

Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Jammettes speak in tongues from Jammette Series
Busshead Bois from Jammette Series
Between the Devil and the Deep Blue Sea
Corbeaux Tribes from Accounting
Caribbean Studies
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep blue sea (piece)
Maroon Guides from Accounting
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Crab antics – respectability be damned
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Jouvay Crossing
Take me to church I’ll worship from Accounting
Between the Devil and the Deep Blue Sea
Pay de Devil
Pay de Devil
Pay de Devil (detail)
Pay de Devil (detail)
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Oui Matis
Jamette Futures from Accounting
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Deep Journey Through Drexciya
Between the Devil and the Deep Blue Sea
Between the Devil and the Deep Blue Sea
Abolition Devil from Accounting
Between the Devil and the Deep Blue Sea
Sentinel (Drexciya)
Between the Devil and the Deep Blue Sea
They say we can’t breathe underwater
Izabluedevil
Izabluedevil (video still)
Izabluedevil (video still)
Between the Devil and the Deep Blue Sea

Between the Devil and the Deep Blue Sea

Between the Devil and the Deep Blue Sea , 2024
installation view

Artist Talk with Natalie Wood on Saturday November 2 at 11:15am, door at 11am.

This exhibit links to my academic and performance work on the Trinidadian carnival character of the Blue Devil. Thematically I explore Blue Devils as a source of creative Black queer feminist eco warrior liberation and power. Therefore the works bridge a connection to the sea, tidal sub-marine relations through time and across the Black Atlantic, and diasporic resistance moves that embody ancient knowledge and satirically engage with imposed labels of Blackness, womyness and queerness as devil. Aesthetically, I draw upon afro-surrealist practices, art as activism, portraiture, historical, and pop culture references. The exhibit explores the question of who or what lies between the devil and the deep blue sea.

The idiom “between the devil and the deep blue sea” means you are in a situation where you must make a choice between two negative options and outcomes. The saying originates from a nautical term referring to the necessity to caulk the seam of a sailing ship while suspended over the deep rough sea. This work thematically explores what it means to be suspended through time in a space where repeatedly your options are to choose between two or more bad choices. Yet Black queer folks often find ways to create something different, and beautiful outside of these imposed options. I explore the beginnings of Carnival and the liberatory practices of the Blue Devil mas as a queer Afro-Caribbean diasporic practice of creating something different, beautiful and spiritually resilient. -- Natalie Wood, 2024