Tidal Relations
new work
November 25 - December 23, 2022
Tidal Relations
, 2022
installation view
Tidal Relations
, 2022
installation view
Cayula Activated
, 2021
watercolour on paper
24 x 18 inches
Tidal Relations
, 2022
installation view
Underwater Jungle dreams
, 2022
acrylic ink, oil pastel, pencil and sequins on Mylar
30 x 40 inches
Tidal Relations
, 2022
installation view
Mama Sea from Accounting
, 2022
acrylic ink and pencil on Mylar
9 x 6 inches
Everytime I plant a seed... from Accounting
, 2022
acrylic ink, oil pastel and pencil on Mylar
9 x 6 inches
Taking the Knee from Accounting
, 2022
acrylic ink, pencil, and oil pastel on Mylar
8 ¾ x 6 inches
Tidal Relations
, 2022
installation view
Our Liberty
, 2022
acrylic ink, pencil, oil pastel, sequins on Mylar
40 x 36 inches
Life Ring
, 2022
life ring, stone paper, encaustic wax
33 x 33 x 7 inches
Which Way is Up?
, 2021
watercolour on paper
24 x 18 inches
Tidal Relations
, 2022
installation view
Undrowned
, 2022
acrylic ink, oil pastel and sequins on Mylar
38 ½ x 30 inches
Carnival Offerings
, 2022
calabash bowl, various sizes of sequins on a painted wood plinth
14 x 14 x 8 inches
We all must have some Ballast in our lives
, 2022
acrylic ink and oil pastel on mylar
40 x 30 inches
Tidal Relations
, 2022
installation view
Everything is Swimmingly from Accounting
, 2022
acrylic ink on Mylar
9 ½ x 6 ½ inches
Revolutionary remembrances
, 2022
encaustic wax, stone paper, calabash bowl, on painted wood plinth
14 x 14 x 8 inches
Passages between worlds
, 2022
acrylic ink, oil pastel and pencil on Mylar
30 x 40 inches
Undrowning on Turtle Island from Accounting
, 2022
acrylic ink, oil pastel and pencil on Mylar
9 x 6 inches
Soul talk
, 2022
cowrie shells, calabash bowl, on painted wood plinth
14 x 14 x 8 inches
Tidal Relations
, 2022
installation view
Abolition Devil from Accounting
, 2021
acrylic ink, graphite and oil pastel on Mylar
9 x 6 inches
Tidal Relations
, 2022
installation view
The Twin Pandemics from Accounting
, 2022
acrylic ink, graphite and oil pastel on Mylar
11 x 8 ½ inches
Miranda
, 2021
watercolour on paper
24 x 18 inches
They say we can’t breathe underwater
, 2022
photo-based digital inkjet print
edition of 5 + A/P
10 ½ x 14 ¼ inches (image size), 20 x 16 inches (sheet size)
The Ultimate Question of Life, the Universe and Everything from Accounting
, 2022
acrylic ink on Mylar
9 x 5 ¾ inches
Paul Petro Contemporary Art is pleased to present new work by Natalie Wood.
"In this work I look at the movement of the sea, its tides and its relations to myself, to history and land, as a Tidalectic methodology for understanding the progression of change and justice.
Tidalectics is a philosophy, and theory developed by Barbadian poet and theorist Edward Kamau Brathwaite* who posits that the cyclical, back and forth movement of the sea is central to understanding history, time, space, the Black diasporas and resistance to the violence of racial capitalism and heteropatriarchy." -- Natalie Wood
* Brathwaite, K. (1999). ConVERSations with Nathaniel Mackey. New York: We Press.
Born and raised in Trinidad, Natalie Wood arrived in Toronto in 1984 to study psychology, sociology and women's studies at the University of Toronto before obtaining her studio training at Ontario College of Art. Wood then went on to complete an MA in Art Education from OISE, at the University of Toronto, in 2000.
Wood's work cohabits the areas of popular culture, education and historical research, spanning the visual and media arts. The practice includes painting, drawing, printmaking, photography, video and performance, and extends into Wood's work as a curator, educator and community-based social activist.
Wood is currently a tenured Professor in the Social Service Work Program at George Brown College where she co-founded and coordinated their Social Innovation Hub, an early stage incubator. She is also pursuing a PhD through the Faculty of Environmental Studies program at York University. Wood's first exhibition at Paul Petro Contemporary Art was a twenty-year survey entitled Exordium, in 2021.