Excerpts
photography
April 30 - May 29, 2021
Excerpts
, 2021
installation view
Anatomical Garden
, 1990
C-print
10 x 8 inches
Anatomical Garden (preparatory drawing)
, c. 1990
Xerox with ink hand work
34 x 23 inches
Excerpts
, 2021
installation view
You Make Me Feel Mighty Real!
, 1989
C-print
14 x 11 inches
Intelligence
, 1989
C-print
14 x 11 inches
Ecstatic Vortices
, 1989/1990
C-print
14 x 11 inches
Bullets
, 1989
C-print
14 x 11 inches
Glacial Tears
, 1989/1990
C-print
14 x 11 inches
Coil
, 1989
C-print
14 x 11 inches
Glory Chain
, 1989
C-print
14 x 11 inches
Animated Theatre
, 1989
C-print
14 x 11 inches
Replication of the Immaterial
, 1989
C-print
14 x 11 inches
Excerpts
, 2021
installation view
Ephemera
notebooks of the artist, photographic portraits by General Idea and David Rasmus, exhibition documentation, publications, and a Telidon graphic colour Xerox
Excerpts
, 2021
installation view
Excerpts
, 2021
installation view
Glacial Tears
, 1990
C-print
38 ½ x 30 inches
Pathway
, 1990-1991
C-print
27 ¼ x 27 ¼ inches (frame size)
Light That Is A River
, 1990
C-print
edition of 3, #1
40 x 30 inches
Excerpts
, 2021
installation view
Untitled from Love Mind
, 1992
C-print
edition of 3, #1
10 x 12 inches
Excerpts
, 2021
installation view
Untitled from Love Mind
, 1992
C-print
edition of 3, AP
19 ¾ x 15 ½ inches
Excerpts
, 2021
installation view
Untitled from Love Mind
, 1992
C-print
edition of 3, #1
11 x 14 inches
Excerpts
, 2021
installation view
Catalogue
, 1987
enamel on Plexiglas, acetate over colour Xerox
35 ½ x 35 ½ inches
Power Begins With You
, 1990
Public Access poster project
off-set colour poster
24 x 18 inches
Excerpts
, 2021
installation view
Threshold
, 1989
C-print
14 x 11 inches
Untitled
, 1988
holographic paper with painted acetate overlay
11 x 9 inches
After moving from Guelph to Toronto, and graduating in 1980 with a BFA from York University, Robert Flack (1957-1993) joined the staff at Art Metropole and assisted General Idea with a variety of projects including layouts for FILE Megazine. During this period Flack developed his practice in drawing and photography and eventually produced the two series of works he is best known for, the seven chakras photographs in Empowerment (1990) and his ethereal final work, Love Mind (1992). Both bodies of work are distinctive of the artist’s use of painted acetates overlaid on photographs that were then rephotographed to produce the final print. Empowerment and Love Mind can be found in the permanent collections of the National Gallery of Canada and the Ryerson Image Centre.
In the exhibition Excerpts we gather together earlier works and studio ephemera to provide insight into Flack’s working methods and to highlight other photographic projects the artist produced during his all-too brief career. The exhibition also includes photographs of the artist by General Idea and Toronto-based photographer David Rasmus, with whom Flack shared darkroom time while printing their work. The exhibition is organized with the assistance of John Flack, the artist’s brother.
A Feature Exhibition presented in partnership with the Scotiabank CONTACT Photography Festival.