Solo Exhibitions
2023 |
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2021 |
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2019 |
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2018 |
- Aftermath, McMichael Canadian Art Collection, Kleinburg, ON
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2017 |
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2015 |
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2014 |
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2013 |
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2013 |
- Periferal, Galerie Division, Montreal
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2012 |
- X, Paul Petro Contemporary Art, Toronto
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2011 |
- Stephen Andrews, Illingworth Kerr Gallery, Calgary
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2009 |
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- LOLA festival, London Ontario
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- Cartoon, Wilde Gallery, Berlinale Film Festival, Berlin
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2008 |
The quick and the dead, Gallery Lambton, Sarnia |
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- You and I, Queen Specific, Toronto
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2007 | - Cartoon, Power Plant Contemporary
Art Gallery Toronto
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- A deer in the
headlights (remix), Platform Gallery Seattle
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2006 |
- Forecast, JB Gallery Hart House
U of T, Toronto
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| - Apostles, Paul Petro Contemporary Art, Toronto>
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- Stephen Andrews, Commons Gallery UH Honolulu
HI
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- A small part of
something larger, Dunlop
Art Gallery Regina, Toronto, Levine Gallery, LA
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- A deer in the headlights, Akau Gallery,
Toronto
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2005 |
- POV, Paul Petro Contemporary Art, Toronto
- Between before and after, Platform Gallery, Seattle WA
- Dramatis Personae, Alliance Francaise, Toronto
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2004 |
- The 1st part of the 2nd half, Participant Inc. New York
- Stephen Andrews, Cue Art Foundation, New York
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2003 |
- jpeg, Paul Petro Contemporary
Art, Toronto
- The 1st part of the 2nd half, Nuova Icona, Venice; Canadian
Cultural Centre, Paris
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2002 |
- Team, Paul Petro Contemporary
Art, Toronto; Zsa Zsa, Toronto
- The 1st part of the 2nd half, Dazibao, Montreal
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2001 |
- CMYK and more
work from Album Paul Petro Contemporary
Art, Toronto
- Likeness, Helen and Morris Belkin Gallery, UBC, Vancouver;
Art Gallery of Windsor
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2000 |
- Drawings, Gallery Stratford, Stratford Ontario
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1999 |
- hoi polloi, Justina Barnicke Gallery, University of Toronto,
- Excerpts from Sonnets, Paul Petro Contemporary Art, Toronto
- New paintings and works, Paul Petro Contemporary Art, Toronto
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1998 |
- hoi polloi, Lombard Freid Fine Art, New York
- Three Hundred and Sixty Five Pictures, Mount St Vincent,
Halifax
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1997 |
- The Weather, Lombard Freid Fine Art, New York
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1996 |
- Three Hundred and Sixty Five Pictures, TPW , Toronto
- Ghosts, Arcus Project, Moriya Japan
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1995 |
- Personals, Project Room, Lombard Freid Fine Art , New
York
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1994 |
- SAFE, W139, Amsterdam, Holland
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1993 |
- Facsimile, White Room Project, White Columns, New York
- SAFE, Garnet Press Gallery, Toronto. Open Studio,Toronto
- The Fruit Machine, University of Winnepeg, Winnepeg,
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1992 |
- Facsimile, Oakville Galleries, Oakville. Macdonald Stewart
Art Centre,
- Singing The Body Ephemeral, with Andy Fabo, Canadian
Cultural Services, Paris
- Corporeal Knowledge, with Shelagh Keeley, Charles H.
Scott Gallery, Vancouver
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1990 |
- The Sins Of The Fathers, Garnet Press Gallery
- Drawings, Laurentian Museum and Gallery, Sudbury
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1989 |
- X.87-VIII.89, London Regional Art Gallery, London, Ontario.
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1988 |
- Drawings, Grunt Vancouver. Garnet Press Gallery, Toronto.
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1987 |
- Drum Suite, Garnet Press Gallery, Toronto.
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1986 |
- New Drawings, Garnet Press Gallery, Toronto
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1984 |
- Fish Stories From The Crypt, Garnet Press Gallery, Toronto
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Selected Group Exhibitions
2023 |
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2022 |
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2021 |
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2020 |
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2018 |
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2017 |
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2016 |
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2013 |
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2012 |
- Editions, Part One, Paul Petro Contemporary Art, Toronto
- Archival Dialogues, Ryerson Image Centre, Toronto
- a dot went for a walk, ME Gallery, 798 Artzone, Beijing
- Toronto/Berlin, Zweigstelle, Berlin
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2011 |
- Decisive Moments, Somewhere Else, Trinity Square Video, Toronto
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2010/11 |
- What It Is, National Gallery of Canada, Ottawa
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2010 |
- Fax, Plug In ICA, Winnepeg
- Conflict/Resolution, LOLA Arts Festival, London, ON
- Hot Spot, Paul Petro Contemporary Art, Toronto
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2009 |
- War at a Distance, Toronto Photographer's Workshop, Toronto
- Added Value, Platform Gallery, Winnepeg
- Yokohama France Video Collection, Red Brick Warehouse Space No. 1, Yokohama, Japan
- Things Fall Apart, Winkelman Gallery, New York
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2008 |
- XI.93 - VIII.94, with Shelagh Keeley, Paul Petro Contemporary Art,
Toronto
FAAS, GNO, Sudbury |
2007 |
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- Group Exhibition with Peter Bowyer and Gary Evans, Paul Petro Contemporary Art, Toronto
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2006 |
- Gifts go one way, Apex Gallery New York
- This ain't no fooling around. Rubicon Gallery, Dublin Ireland
- Andrews and Blanchon Kendall Art Gallery Miami
- Out of the Blue, Abingtion Art Center, Jenkintown PA
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2005 |
- Beyond Redemption, Belkin Satellite,
Vancouver
- Branded, Paul Petro Contemporary Art, Toronto
- Thought Crimes, Diverseworks, Houston TX
- Contemporary Erotic Drawing, Diverseworks Houston, Aldrich Contemporary Art Museum.
Ridgefield, CT
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2004 |
- Just My Imagination, Museum London
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2003 |
- Sign and Sound, Seoul Museum of Art, Seoul, Korea
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2002 |
- Legion, Paul Petro Contemporary
Art, Toronto
- Think Canada, Delhi, Chennai, Mumbai, India
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2001 |
- Crowds, Hunter College, New York
- Subject Plural, CAM, Houston
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2000 |
- Recollection Project, Japanese Canadian Cultural Centre,
Toronto
- Loaded, Angell Gallery, Toronto
- Real Man, Paul Petro Contemporary
Art, Toronto
- Dust on the Road, Harbour Front Gallery, Toronto
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1999 |
- Skinjobs, Mount St Vincent, Halifax
- Landtakes, Edward Day Gallery, Toronto
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1998 |
- Ground Control, Lombard Freid Fine Art, New York
- Residing in the Floating World, Oakville Galleries, Oakville
On.
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1997 |
- Refigured Histories/Remembered Pasts, Saidye Bronfman
Centre, Montreal
- How Do I Look?, Art Gallery of North York, Toronto.
- Survey Results Show, National Gallery of Canada, Ottawa.
- Rococco Tattoo, The Power Plant, Toronto
- Love, Love, Love, TPW, Toronto.
- Dictons, Maxims et Proverbes, Galerie Christiane Chassay,
Montreal.
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1996 |
- Reflections Of The Soul, Art Gallery of North York, Toronto.
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1995 |
- Foto Feis, Glasgow, Scotland.
- On The Surface Of Things, Paul Petro Contemporary Art,
Toronto
- Saving Face, Art Gallery of Mississauga, Mississauga.
- Fagosites, University of Illinois, Chicago.
- Autobiography, North Dakota Museum of Art, Grand Forks,
N.D.
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1994 |
- Hidden Values, McMichael Collection, Kleinburg.
- Future Traditions In Canadian Art, Art Gallery of North
York, Toronto.
- Dark O'Clock, Museu De L'Arte Moderne, Sao Paulo, Brazil.
Plug In, Winnepeg
- In Number, Glendon College, York University, Toronto.
- Je Crois Que Le Vent Les A Otes, Canadian Cultural Services,
Paris
- Centre St. Vincent, Herblay, France
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1993 |
- Update '93, White Columns, New York.
- Le Mois De La Photo, Centre Culturel Cote de Neiges,
Montreal.
- Tele-Aesthetics, Bard College, New York. curator Sandra
Antelo-Suarez
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1992 |
- Rethinking History, Mercer Union, Toronto.
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1991 |
- Volumes, Red Head Gallery, Toronto.
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1989 |
- Drawn From Drawn Upon, Art Gallery of York University,
Toronto.
- Homogenius 1, Mercer Union, Toronto.
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1987 |
- Young Contemporaries, London Regional Art Gallery, London,
Ontario.
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1985 |
- Fire And Ice, Galerie Walcheturm, Zurich.
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1984 |
- Expron, Caserne des Pompiers, Montreal.
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1983 |
- Chromaliving, The Colonnade, Toronto.
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1982 |
- O Kromazone, Institut Unzeit, Berlin.
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Selected Press
2012 |
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2011 |
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2010 |
- Frieze, April p.129 Dan Adler
- Apparatur, The low punch of the quick and the dead, Sissel Marie Tonn
- Bordercrossings #113, p.92, Added Value, Alison Gillmor
- Ciel Variable Magazine CV85, War at a Distance, Amish Morrell
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2009 |
-
Xtra, Sholem Krishtalka, Dec 3
Globe and Mail, Gary Michael Dault, Dec.
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2008 |
- Harper’s October p. 79 illustration
Globe and Mail, January, Sarah Milroy
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2007 |
- Canadian Art, Winter, Picture Maker, Alexander Nagel
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2006 |
- Trinidad and Tobago Express, Feb 19, Kayode James
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2005 |
- Houston Press,Feb 17-23 K Plocek
Canadian Art, Spring , Lorissa Sengara, p 78
C Magazine, Summer,Joe Wolin, p 46
Art News, January, Reena Jana, p 126
Xtra, S Rogersom, p23
Contemporary #70, Matthew Biro
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2003 |
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2002 |
- Le Devoir, Etats Passagers, Jean-Claude Rochefort, p. E9
- Toronto Star, Art by Numbers, Susan Walker
- Lola, Summer, Jessie Caryl, p.68
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2001 |
- Globe and Mail, July 14, Sarah Milroy
- Detroit Free Press, Artists Represent...6.08.013G, Keri Guten Cohen
- Room, Artist Creates..., 08.01, p.14, TK
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2000 |
- Lola, Summer 2000, Marie Larson
- Canadian Art, Spring 00 vol. 17 #1, Tom Folland
- Globe and Mail, Oct. 16, Gary Michael Dault
- Xtra, Oct, Kim Fullerton
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1999 |
- Parachute, Winter 99, Tom Folland
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1997
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- Canadian Art, Winter 97, p. 32, Deborah Esch
- Poliester, Summer 97, p. 56, Bill Arning
- Art News June, p. 128, Alexander Nagel
- Art and Text #58 August, p.81, Deborah Esch
- Fuse Magazine #20, p. 32-33, Artist Project
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1996 |
- Parachute #83, p. 49, Robert W.G. Lee
- Mix Magazine Summer 96, p. 55 Artist Text
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1995 |
- Border Crossings Summer, Deep Down Surfacing, Simon Herbert
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1994 |
- Canadian Art Sprint 94 Vol. II, p.73, Betty Ann Jordan
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1993 |
- Art Press 186 International Edition, p.28-30, Photographie, Regis
Durand
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Catalogues and Publications
2014 |
- Duets, Stephen Andews & Gregg Bordowitz, Visual AIDS, New York
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2012 |
- Archival Dialogues, Reading the Black Star Collection, Ryerson Image Centre, Doina Popescu and Peggy Gale.
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2011 |
- It is what it is, Recent Acquisitions of New Canadian Art, National Gallery of Canada
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2006 |
- Based on a true Story, S Andrews, Cultural Politics Vol 2 Issue 3 p
381
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2005 |
- Subtitles,edited by Atom Egoyan and Ian Balfour, Alphabet City #9
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2004 |
- Stephen Andrews, Cue Art Foundation, Atom Egoyan
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2003 |
- MosaiCanada: Sign and Sound, Wayne Baerwaldt, Keunhye Lim, Seoul Museum
of Art
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2002 |
- Lost in the Archives, Edited by Rebecca Comay, Alphabet City #7
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2001 |
- Likeness, Annette Hurtig, Scott Watson, University of British Columbia
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1999 |
- Canadian Art in the Twentieth Century, Joan Murray, Dundurn
- Three Hundred and Sixty Five Pictures, TPW, catalogue essay Cheryl
Sourkes
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1997 |
- Survey Results Show, National Gallery of Canada, essay Janice Saleem
- Autobiography, North Dakota Museum of Art, essay Laurel Reuter
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1996 |
- Notebook Project, Contemporary Art Gallery
- Three Hundred Sixty Five Pictures, TPW, brochure essay, Cheryl
Sourkes
- Arcus Project 95, Interactive Intercultural Residence in the Arts,
Ibaraki, Japan
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1994 |
- In Number, Glendon Gallery, York University
- Je Crois Que Le Vent Les A Otes, Les Cahiers des Regards, Centre
d'Art d'Herblay, essays Jean-Pierre Rehm and Michelle Theriault
- Dark O'Clock, Plug In Editions, essays Wayne Baerwaldt and Deborah
Esch
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1992 |
- Facsimile, Oakville Galleries, essay Deborah Esch
- Corporeal Knowledge, Charles H Scott Gallery, essay Greg Bellerby
- Rethinking History, Mercer Union, essay Carol Podedworny
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1991 |
- Hymne au Corps Ephemerel, Services Culturelles, essay Annette Hurtig
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1989 |
- Drawn From Drawn Upon, Art Gallery of York University essay Loretta
Yarlow
- X.87-VIII89, London Regional Art Gallery, essay Bruce Russell
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1988 |
- Positions, Southern Alberta Art Gallery, essay, Robert Windrum
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1987 |
- Young Contemporaries, London Life, essay Marnie Fleming
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1985 |
- Fire And Ice, Chromazone, essay William Wood
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1984 |
- Desire, Chromazone, essay Andy Fabo
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1983 |
- Chromaliving, Chromazone, essay Jennifer Oille
- Trois Artistes De Toronto, Articule, essay Bruce Russell
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