- Henry Heng Lu, “Ho Tam: Cover to Cover,” Richmond Art Gaiiery Exhibition Catalogue, 2018
- Alvin Li, “Review: Spectrosynthesis – Asian LGBTQ Issues and Art Now,” Frieze Magazine, December 2017
- Kegan McFadden,”Review: Ho Tam – Cover to Cover,” C Magazine, Issue 133, Spring 2017
- “Borderviews: The Democratizer,” Border Crossing, Issue 140, December 2016
- Steven Leyden Cochrane, “The Value of Awareness: Vancouver Artist’s Magazines Push Back Against Media Misrepresentation and Damaging Stereotypes,” Winnipeg Free Press, October 17, 2016
- Tricia Wasney, “Where in the World I am: A Response to Ho Tam’s Cover to Cover,” Platform Centre Exhibition Catologue, November 2016
- Sally Frater, “Translations,” Centre3 Catalogue, February 2016
- Joni Low, “Possibilities for the Page: 88Books & Artists’ books in China,” Yishu Art Journal, Vol. 11, No. 6, 2012
- Mike Hoolboom, “Ho Tam: Seasons of the Boys,” Practical Dreamers: Interviews with Movie Artists, Coach House Press, Toronto, 2008
- Ho Tam & Alice Ming Wai Jim, “Let the Fingers Do the Walking: Rereading Ho Tam’s The Yellow Pages,” Reel Asian: Asia Canada On Screen, Toronto: Coach House Press, 2007
- Vera Frankel, "Harder Times, Tougher Spaces," Canadian Art Magazine, Summer 2004
Artist's Project, FELIX, Risk/Riesgo Issue (journal with DVD), 2003/04
Chris Kennedy, "On Fine China," Blue Prints, Pleasure Dome (Toronto), 2003
Artist's Project, PUBLIC 25: Experimentalism, 2002
Peter Goddard, "A show of cheek from city's east end," The Toronto Star, August 29, 2002
Robert Durocher, "Shotgun Reviews," LOLA Magazine, Issue 13, Fall 2002
Robin Laurence, ìEastern Outpost,î The Georgia Straight,
May 2-9, 2002
- Thomas Hirschmann, ìContact High,î Now Magazine, May
2-8, 2002
- Artistís Project, C Magazine, Spring 2001
- Gary Michael Dault, ìA lesson waiting to be learned,î The
Globe and Mail, January 20, 2001
- Deirdre Hanna, ìVisual Arts,î Now Magazine, January 18-24,
2001
- John Terauds, ìA remembrance of time present,î The Toronto
Star, January 11, 2001
- Joyce Mason, ìWhat was Cín,î C Magazine, Winter
2000-2001
- Jenny Lion (ed.), Magnetic North: Canadian Experimental Video, University
of Minnesota Press, 2000
- Anya Wassenberg, ìHo Tamís exhibition us,î Lola
Magazine, No. 5, Winter 1999-2000
- Elizabeth Fearon, ìHo Tam, us,î Art Focus, Fall 1999
- Deborah Bright, ìFractured Mirrors, Broken Windows: In the
Marketplace of Private Life,î The Photography Resource Center at
Boston University Catalogue, 1999
- Cale McQuaid, ìBlack-holed visions, interrupted yoga, and anger,î The
Boston Globe, October 7, 1999
- Asahi Daily News (Yamagata, Japan), October 23, 1999
- Wayne Baerwauldt, ìHo Tam: Untitled, Nonspecific,î Tea & Sympathy:
Plug In Cahier, 1998-99
- Erica Rand, "Speak Easy: Troubling Customs," New Art Examiner,
June 1998
- Alison Gilmor, "Sexy Po-Mo," Border Crossings, Spring 1997
- Deirdre Hanna, "Photo-Based Works Dig Roots of Racism," Now
Magazine, May 8-14, 1997
- Larrissa Lai, "Ho Tam: The Yellow Pages," Gallery 44 Catalogue,
1997
- Garth Buchholz, "Engaging, Colourful and All Sewn Up," Winnipeg
Free Press, March 1, 1997
- Robert Atkins (ed.), TalkBack! A Forum for Critical Discoure (online
publication). Issue No. 2, 1996
- Andy Fabo, "Provocative Pleasure: The Art of Ho Tam," Garnet
Press Gallery Catalogue, 1996
- Stephen Horne, "Reviews/Commentaries," Parachute, no. 82,
1996
- Greg Beatty, "Toronto Artist Looks At Male Identity," The
Leader Post, Regina, January 20, 1996
- Bill Arning, "Stonewall 25: Imaginings of the Gay Past - Celebrating
the Gay Present," White Columns Update 1995 (Catalogue)
- Lucinda Catchlove, "Consuming Culture," Hour Magazine, MontrÈal,
November 30, 1995
- Larrissa Lai, "Ho Tam: The Yellow Pages," Light Year, Floating
Gallery Catalogue, Winnipeg, 1995
- Earl Miller, "The Contested Spaces," Fuse Magazine, Vol.
18, No. 4, 1995
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